Roy Moore for Senate 2017 Official Campaign Soundtrack

In honor of Moore’s senate race, I’ve curated a Spotify playlist that’s relevant  to his interests.

A Gentleman in Moscow

Presumably, the bells of the Church of the Ascension had been reclaimed by the Bolsheviks for the manufacture of artillery, thus returning them to the realm from whence they came. Though for all the Count knew, the cannons that had been salvaged from Napoleon’s retreat to make the Ascension’s bells had been forged by the French from the bells at La Rochelle; which in turn had been forged from British blunderbusses seized in the Thirty Years’ War. From bells to cannons and back again, from now until the end of time. Such is the fate of iron ore.

—Amor Towles

Homegoing

As Sonny passed the projects that filled the distance between his apartment and Willie’s, he tried to remember the last time he’d really spoken to his mother. It was 1964, during the riots, and she had asked him to meet her in front of her church so that she could lend him some money. “I don’t want to see you dead or worse,” she’d said, passing Sonny what little change hadn’t made it into the offering plate. As he took the money, Sonny had wondered, What could be worse than dead? But all around him, the evidence was clear. Only weeks before, the NYPD had shot down a fifteen-year-old black boy, a student, for next to nothing. The shooting had started the riots, pitting young black men and some black women against the police force. The news made it sound like the fault lay with the blacks of Harlem. The violent, the crazy, the monstrous black people who had the gall to demand that their children not be gunned down in the streets. Sonny clutched his mother’s money tight as he walked back that day, hoping he wouldn’t run into any white people looking to prove a point, because he knew in his body, even if he hadn’t yet put it together in his mind, that in America the worst thing you could be was a black man. Worse than dead, you were a dead man walking.

—Yaa Gyasi

The Underground Railroad

Was she supposed to pray now? She sat at the table in the thin lamplight. It was too dark on the platform to make out where the tunnel began. How long would it take them to root out Caesar? How fast could he run? She was aware of the bargains people made in desperate situations. To reduce the fever in a sick baby, to halt the brutalities of an overseer, to deliver one from a host of slave hells. From what she saw, the bargains never bore fruit. Sometimes the fever subsided, but the plantation was always still there. Cora did not pray.

—Colson Whitehead

The Mothers

She had witnessed this scene dozens of times before, her husband yelling at Luke. For joyriding with his friends, theater-hopping, sneaking beer onto the beach in old Coke bottles, smoking reefer in Buddy Todd Park, goading Marines into fights. He wasn’t a bad kid but he was reckless. Black boys couldn’t afford to be reckless, she had tried to tell him. Reckless white boys became politicians and bankers, reckless black boys became dead.

—Brit Bennett